Three Years, Two Dream Lenses — A Wild Journey in Wildlife Photography
I still can’t believe I only started wildlife photography in 2022.
Looking at my work today, in 2025, it feels like I’ve come a long way — and fast. Sometimes I find myself comparing my portfolio with that of seasoned wildlife photographers who’ve been in the field for decades, and honestly, I don’t feel far behind. When I stack up my work against theirs, I often feel I’m on par — both technically and artistically.
To put things in perspective: although wildlife photography was a new chapter, I wasn’t new to photography. I had already spent years doing sports, product, and event photography. I knew my gear, understood exposure and composition, and had developed a visual style and artistic instinct before ever pointing a lens at wildlife.
The very first lens I used for wildlife was the Nikon 500mm f/5.6 prime, and within a few months, I moved up to the 800mm f/5.6 prime — both absolute dream lenses for wildlife photographers. Many photographers work for years before they’re able to get their hands on even one of them. I was fortunate to start my wildlife journey with both — and that made a huge difference.
I don’t talk much about cameras and accessories, because to me, lenses are the real game-changer. I’ve used the Nikon D800, D850, D500, D750, and Z9, and they all delivered exceptional images thanks to the glass I had in front of them. That’s what elevated my work.
Nikon Z9, 800mm 5.6
Advice for New Wildlife Photographers:
If you're just starting out, here’s what I’d tell you:
Master the basics with any gear you have. Great shots come from knowing how to use your equipment, not just owning expensive tools.
Invest in good glass when you can. A sharp, reliable lens will carry your work much farther than a fancy new camera body.
Start with stillness and patience. Wildlife rewards those who learn how to observe quietly.
Respect the subject. Don’t disturb animals for the sake of a photo. If you get the shot ethically, it’s worth ten times more.
Build a style. Don’t just copy others — find the angle, light, and approach that speaks to you.
And finally — shoot a lot. Only through trial, error, and consistency will you build both skill and instinct.
